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David
Nefesh and the Delta Twins
Photo
by Lauren Parlin
As a child, David Nefesh was strongly influenced by the music of
Neil Young, CSN&Y, Jackson Browne, Bob Dylan, Joni Mitchell, the
Beatles, Rolling Stones, and others in the folk-rock and rock scene of
the late-60's and 70's--as well as Jewish folk and cantorial
music which was prevalent in his family. At age 12, and armed
with a songbook to Neil Young's "Harvest," he started years
of self-study on guitar. His early adult years led him to
study blues guitar by listening to greats like B.B. King, Otis Rush
and Eric Clapton. However, his penchant for strong melodies
always remained.
Despite
Nefesh's passion for music and performance, he relegated his musical
talents to his home, occasional jams with friends and very rare public
gigs.
He never viewed himself as a singer- songwriter until the late
90's--when personal epiphanies revealed a gifted writer with a strong
stage presence.
In January of 1999, he started an intense period of writing and
performing that has yielded scores of original songs and many
performances in the United States and Canada since that time.
In 2007, Pureheart
was nominated by members of the Detroit Music Awards for "Best
Recording" (acoustic/folk category). He
is a 2009 nominee for "Outstanding Folk Artist."
David's 3rd album, The Point of It All, was released last
year and features his best music to date.
Delta Twins is powered by
the twin engine of Bob Young (vocals, acoustic & electric guitar,
blues harp, keyboards, loops) and Tom Kozanecki (acoustic & electric
guitars, resonator, mandolin, bass, percussion). This duo is known
for passionate original songs that get your feet moving, your heart
beating, and your soul leaping. Their funky, rootsy blues/folk/rock
hits you at your core; it sounds familiar and yet unique at the same
time.
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“An
unfailing sincere folkie, David Nefesh comes from the school of
‘earnest til it hurts’...some notable lyrical moments...a fine
folk reflection on the order of what Bob Mould and Billy Bragg
have been up to in the past decade.” – Joseph McCombs, Free
Lance Rock Critic
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